Category Archives: Shaolin Wahnam

First Shaolin Wahnam Poetry Competitions 2015 – Best Italian Poem in Translation

BEST ITALIAN POEM IN TRANSLATION

(reproduced from http://shaolin.org/general-3/poetry-competition/italy.html)

Patrizia Mittiga

Patrizia Mittiga



You can read all the poems submitted for the Competition here


Change
Patrizia Mittiga

The Spring wind lightness comes over my body

 

My surprised heart blooms to the new flow

 

The weight of a tired and grieved soul moves silently away

 

While my look shines with a new light

 

Original Poem in Italian

La leggerezza del vento di primavera pervade il mio corpo

 

Il mio cuore si apre sorpreso al respiro nuovo

 

Il peso dell’anima stanca di dolore si allontana in silenzio

 

Mentre splende di luce nuova lo sguardo.

 

LINKS

Overview
All the Poems Submitted for the Competition

SELECTION OF QUESTIONS AND ANSWERS DECEMBER 2015 PART 1 BY GRANDMASTER WONG KIEW KIT

Shaolin Kung Fu

Many in Shaolin Wahnam train kungfu to be the best persons they could be

Question 1

I have been practicing Shaolin Cosmos Chi Kung for over 3 years now and i am amazed by it. It has helped me in ways that i couldn’t believe.

I would love to become an instructor so I can help others

The reason why I am asking a lot about being a Sifu is that it will help me move forward in life. i have had so many difficulties in life. I suffered 10 years of depression. I was stuck for a long time. I have many more problems

Becoming a teacher will help me move forward. It will help me with income too. Don’t get me wrong. I’m not wanting to make lots and lots of money. There is more to life than money., but it will help

That’s why i asked you if I could spend some time with you.

At this time I’m very happy and life is good and healthy but i need to move forward.

— Qasim, Ireland

Answer

Before becoming a chi kung instructor you must first be a good chi kung student. It is very important to realize that being an instructor in our school is like being a father to your students, and to preserve our arts for posterity by passing on to your students our arts so that they too will get the wonderful benefits we enjoy, like good health, vitality, longevity, mental clarity, peak performance and spiritual joys.

The main aim in becoming an instructor is not to overcome your own health problems, to move forward in life and to become rich, though interestingly all these results will be accomplished as bonuses if you are successful in teaching our chi kung.

You need to be healthy first before becoming a chi kung instructor. As a teacher of an elite art, your teaching which requires that you are a living example of the art, will move you forward in life. As the fees we charge are high when compared to what most other chi kung instructors charge but little when compared to the benefits our students get, you can become rich if you have a large class.

But all these results are bonuses, and not the reason why one becomes a chi kung instructor in our school. The aim is to pass on our arts to deserving students so as to preserve our arts for posterity.

This means that if an instructor in our school does not move forward in life and does not become rich, but succeeds in passing on our arts to deserving students, he has accomplished the aim of becoming an instructor. Becoming healthy is a prerequisite. We do not want an instructor who himself is sick.

Unlike in most other schools, a potential instructor does not have to spend a long time studying with me, though he (or she) has to spend a long time practicing the art on his own to be proficient in it. He needs to attend my Intensive Chi Kung Course as this course covers the whole range of chi kung skills ranging from a beginner’s level, which he needs to teach his beginning students at the level of the students and not at the level the instructor himself practices, to a master’s level, which the instructor is at or aspires to be. It is important that an instructor teaches at the level of his students, and not at his own practicing level. This is a teaching point many new instructors neglect.

It is our school policy to appoint instructors according to seniority and usually recommended by the Chief Instructor of the country. As there are many students more senior than you, it is unlikely that you will be appointed.

Question 2

My practice is going very well. I have been focusing more on chi kung lately, but taking that step back seems to have taken my Kungfu to a newer level.

— Tim Hooren, Belgium

Answer

This is natural and logical for us in Shaolin Wahnam.

This was also natural and logical for past masters. In the past there was no separation between advanced kungfu training and chi kung training. Advance kungfu training was chi kung training.

In other words, when a master trained kungfu, called “lian gong” in Chinese, what he actually trained was chi kung, like developing his internal force. He had long past the stage of practicing kungfu forms.

Gaun Dao

Grandmaster Wong performing a Guan Dao

Question 3

Character development is for me personally the major change right now happening, and I think it’s the most important for me also. Looking back I was very weak in daily life, in everything.

I am becoming harder — in my ways, my doings. In taking decisions, speaking out to people, I am becoming very straight forward, and this is fusing completely with my combat ability.

Answer

This is wonderful. Indeed, this was a mark of great kungfu in the past. When master trained great kungfu, they became the best person they could be. Those who trained lower level kungfu became good fighters.

I am glad that many students in our school has made this their aim, to become the best person they can be.

Question 4

I had special experiences. At home, one evening outside of practice, all of a sudden I felt like holding two broadswords, and I could use them and apply them in such a fantastic way. I did a sequence with these swords.

I also had experiences applying a spear and Guan Dao, all the way to experiencing pushing my energy to the sharp blade of the Guan Dao. Even more amazing, I felt the difference between the weapons. The spear felt very light, and I could even sense the red cloth under the spearhead. I could basically hit any point of an opponent’s body with the spear-point.

Dear Sifu, why is it that I can sense these weapons so well? I actually can still to this day sense the Tiger with me as well.

Answer

You were reliving your former life or lives


Pressing Attack

An effective way to spar is to employ a combat sequence to press into an opponent

Question 5

People would think I’m living in a fantasy world, but I’m very much down to earth about all of this, and of course I don’t go telling people about all this, but I thought I had to share these experiences with Sifu.

Answer

Yes, many people would think you have gone crazy. It is not wise to share such experiences with them.

Many people do not even believe things like internal force and overcoming so-called incurable diseases, which are clearly recorded in kungfu and chi kumg classics. Either they do not believe such things are possible, or they do not believe we are capable of such abilities. They think we are crazy, or we are big liars.

Question 6

I asked a street fighter who won most fights about his fighting, and he told me it was very simple to be victorious. Go in and don’t stop.

This brings me to our combat sequences and what Sifu has been advocating all this time. We go in with a pattern and immediately follow up with our other patterns from our sequence until the opponent is down.

Answer

There is one big difference. We follow the principle of “safety first”, but they don’t. We make sure we are safe by covering our opponents adequately.

Their opponents are not good at combat. As long as they move in relentlessly, they can easily beat their opponents, who are quite helpless.

An excellent strategy in combat is to press into an opponent with a combat sequence

Question 7

In the past, I couldn’t apply this strategy, because I didn’t have the correct mind state. And this is the most fantastic, the character development and life experience lead me to experiencing and understanding the mind state needed to fight, and use our Kungfu, which is just fantastic.

Answer

Yes, the mind set and internal force are actually more important than the fighting techniques. The street figher, for example, does not have the techniques and internal force. He only has the mind set. Yet he is quite successful in winning fights.

Question 8

I want to become a world’s best fighter. What should I suppose to do?

— Name and country not stated

Answer

If you want to become a world’s best fighter, you have come to a wring school. Although we place much importance on combat efficiency in training a martial art, or else we shall make a mockery of ourselves, becoming a great fighter is low in our priority.

High in our priority is to have good health, vitality, longevity, mental clarity, peak performance and spiritual joys. In other words, we are dedicated in our daily training not because we want to be great fighters but because we want to be healthy, have zest in our daily life, live to a ripe old age, clear in our thinking, do well in our work and play, and be peaceful and happy.

If actual fighting is not high in our priority, why do we place much importance in combat efficiency? Isn’t it a contradiction?

No, it is not a contradiction. We place much importance to combat efficieny because we practice a martial art. We do not want to fight if we have a choice, but if we have to fight for whatever reasons, we shall fight very well. More significantly, training a martial art enables us to gain the benefits mentioned above, like good health, vitality, and spiritual joys, more immediately and deeply.

Good health, for example, represent the climax of chi kung training, but the starting point of martial art practice. In other words, practitioners in chi kung consider their training completed when they have have good health, but martial artists consider good health the beginning of their training.

Moreover some desirable qualities, like mental clarity, are more urgent in marital art training. For example, chi kung practitioners normally have more time to emplly mental clarity to make wise decisions, but in martial art training when an opponent’s punch or kick is coming at you, you need mental clarity instantly to make wise decisions.

Unfortunately, many martial artists today show a glaring lack of mental clarity. They do not realize that they are becoming more unhealthy the more they train, and their training does not enable them to defend themselves, otherwise they would not be routinely hit in free sparring!

There are many useful things you could do. For a start I would suggest, for your own benefit, that you learn to write a letter properly. You should at least have a salutation at the beginning of your letter, and a signature at the end.

You should start your letter with “Dear Mr Wong”, “Dear Sifu Wong” or “Dear Sir or Madame”. You should end your letter with “Yours faithfully” or “Yours truly”, followed by your name or pen-name.



If you have any questions, please e-mail them to Grandmaster Wong via his Secretary at secretary@shaolin.org stating your name, country and e-mail address.

The Boy Who Became a Legend – a Shaolin Short Film

This is a “must see” video, recording a true history of the spread of Shaolin Kungfu throughout the world.

Special thanks to Shaolin Wahnam Japan and Shaolin Wahnam Canada for producing this marvelous video!

Based on the true story of Grandmaster Wong Kiew Kit, 4th generation successor of the Southern Shaolin Monastery, Head of the Shaolin Wahnam Institute. (http://www.shaolin.org)

“The Boy who Became a Legend”

3 Acts
Act I – History of Shaolin
Act II – Ode to the Grandmaster
Act II – Life story of the ‘Boy who Became a Legend’

Performed live on Nov 22, 2015 at Sifu Chun Yian & Ms Swee Zhi’s wedding dinner at Cinta Sayang, Sungai Petani, Kedah, Malaysia.

To see the live performance, please visit these links:
https://www.youtube.com/watch?v=cRGNc…
http://shaolin.org/video-clips-12/wed…
https://youtu.be/AQeGwEeN05g

Credits:

Special thanks go to Grandmaster Wong Kiew Kit of the Shaolin Wahnam Institute for the permission to create a rendition of his true life story and legacy.

Film:

Direction & Production
Screenplay & Narration
Emiko Hsuen

Sound Production – mixing and mastering
Visual Production – graphic design
Film Score
Hubert Razack

Song:

Composition & Production
Vocals
Hubert Razack, Emiko Hsuen

Copyright © 2015. Grandmaster Wong Kiew Kit. All rights reserved.

HEALING ANA TO WALK AGAIN!

(reproduced from http://shaolin.org/video-clips-11/general/ana.html)

Ana Burgui has been on a wheel-chair for more than ten years. She took a special 3-day healing session with Grandmaster Wong from 9th to 11th September 2015 in Alicate, Spain.

On the first day, Ana could hardly stand on her own for a second. Grandmaster Wong explained that according to physics, our feet were too small to support our body weight, but we could stand because of chi flow. He generated a chi flow in Ana.

The video below shows the healing sessions on the second and the third days. Unfortunately, no video was recorded on the first day. As the end of the video shows, from sitting in a wheel-chair on the first day Ana could walk a few steps on the third day on her journey to be able to walk again.


Please click the pictures or the captions below to view the videos
Healing Ana to Walk Again — Part 1 Alicante 2015 from Wong Kiew Kit on Vimeo.
Healing Ana to Walk Again — Part 2 Alicante 11th Sept 2015 from Wong Kiew Kit on Vimeo.

CEREMONIES OF SIFU WONG CHUN YIAN’S WEDDING — ARRIVAL OF SHAOLIN WAHNAM FAMILY AND PRAYING TO GODS

(reproduced from http://shaolin.org/video-clips-12/wedding-day/praying-to-gods.html)

Cultural ceremonies of Sifu Wong Chun Yian’s wedding on 22nd November 2015 — Arrival of Shaolin Wahnam Family and Praying to Gods.

SHAOLIN WAHNAM KUNGFU — COMBAT SEQUENCE 4 “HANG A GOLDEN STAR AT A CORNER”

SHAOLIN WAHNAM KUNGFU — COMBAT SEQUENCE 4
“HANG A GOLDEN STAR AT A CORNER”

(reproduced from http://www.shaolin.org/review/star.html)

Hang a Golden StarHang a Golden Star

How to Flow and Press, and be Safe

In the previous three combat sequences, we learned three attack techniques using hand strikes at the top, middle and lower parts of the opponent. We also learned the corresponding defence techniques. In this combat sequence, “Hang a Golden Star at a Corner”, we learn attack techniques at the sides, i.e. left and right. These four modes of attacks — top, middle, bottom and sides — represent the whole range of directions any hand strikes can come from.

If you can execute a middle attack using “Black tiger Steals Heart”, i.e. a middle thrust punch, you can also execute other forms of middle attacks by changing the hand form and the stance. For example, instead of using a thrust punch you may use a palm strike, and instead of using a bow- arrow stance you may you use a false-leg stance. Similarly by varying the hand forms and stances of the other modes of attacks, you can have an unlimited range of attack techniques.

Combat Application

Combat Application

Poise Patterns

White Snake

On the ther hand, if you can defend against a middle thrust punch, you can also defend against other forms of middle attacks. In other words, if you can effectively use “Single Tiger Energes from Cave” to counter “Black Tiger Steals Heart”, you can also counter his attack even if he uses a palm jab instead of a thrust punch, and uses a unicorm step instead of a bow-arrow stance, or any other hand forms and stances. The same principle applies to the other modes of attacks. Hence, when you are efficient in defending against these four representative hand strikes, you can defend against any hand strikes.

Combat Application

Combat Application

Golden Dragon

Precious Duck

We use “Black Tiger Steals Heart” as a representative middle hand strike, and “Single Tiger Emerges from Cave” as its representative defence. For some reasons, such as to gain technical or tactical advantages, we may use another middle attack technique instead of the “Black Tiger”. Similarly we may use another middle defend technique instead of the “Single Tiger”. But we shall leave these considerations to later lessons. At this stage, it is sufficient to focus on these four representative attacks and defence so that we can develop the necessary combat skills to apply these techniques well.

Combat Application

Combat Application

Hand Sweep

Golden Star

Generally, skills are more important than techniques — a fact most martial art students today are ignorant of. Another important fact they are ignorant of is that skills, as well as techniques, need to be systematically acquired — not just read from a book or a webpage. Hence, traditional kungfu masters did not allow their students to engage in free sparing unless they were ready. But due to their ignorance, present-day students rush into free sparring. Not only they do not acquire skills and techiques, they hurt themselves unnecessarily.

Briefly, the skills we have learnt include right timing, right spacing, right judgement, quick decision, instantaneous change, fluid miovement, footwork adjustment and safe coverage. If you are not sufficiently proficient in any of these skills, or worse if you do not even know what these skills mean, it is better to go back to the previous combat sequences for more training.

Combat Application

Combat Application

Single Tiger

Poise Patterns

Two new skills are introduced in this sequence training: the skill of flowing attack and the skill of pressing attack. As your opponent sweeps at your low punch at “Precious Duck Swims through Lotus”, you flow with the opponent’s momentum and swing your attacking arm upward in a curve into a “horn punch” at his temple, simultaneously you press in a small step and guard his sweeping hand. If you do not cover his hand, he may pierce it into your side ribs or bowels. Hence, this attack movement involves three skills: the skills of flowing attack, of pressing attack, and of safe coverage.

“Hang a Golden Star” is a short range attack but involves much movement. Thus, due to this innate disadvantage it is not a commonly used attack technque. But there may be situations, such as this one, where it may be useful.

OVERVIEW

Combat Application

Combat Application

Combat Application

Combat Application

Poise Patterns

White Snake

Golden Dragon

Precious Duck

Combat Application

Combat Application

Combat Application

Combat Application

Hand Sweep

Golden Star

Single Tiger

Poise Patterns

SHAOLIN WAHNAM KUNGFU SETS

(reproduced from http://shaolin.org/general-2/kungfu-sets.html)

Shaolin Kung Fu

Grandmaster Wong Kiew Kit demonstrating a pattern from Dragon-Strength



The classification of the kungfu sets has been revised for easy reference.

Fundamental sets are those practiced by all students of Shaolin Kungfu or Wahnam Taijiquan. They are sets in the Shaolin Kungfu and Wahnam Taijiquan core syllabuses.

Selective sets are those chosen by students in both the Shaolin Kungfu group and the Wahnam Taijiquan group in regional or special courses.

Others are sets in Grandmaster Wong’s repertoire which may or may not be taught in our school in future

Fundamental

Flower Set Shaolin Kungfu

  1. Lohan Asks the Way

  2. Black Tiger Steals Heart

  3. Fierce Tiger Speeds through Valley

  4. Happy Bird Hops up Branch

  5. Fell Tree with Roots

  6. Cross-Roads at Four Gates

  7. Flowing Water Staff

  8. Plum flower Sabre

Taijiquan

  1. White Crane Flaps Wings

  2. White Snake Shoots Venom

  3. Green Dragon Shoots Pearl

  4. Black Bear Sinks Hips

  5. Carry Tiger Back to Mountain

  6. Flowing Water Floating Clouds

  7. Wudang Sword

  8. Taiji Sabre

Selective

Wudang Taijiquan Unarmed

  1. Fierce Tiger Descends Mountain

  2. Single Tiger Emerges from Cave

  3. Lohan Tames Tiger

  4. Tiger-Crane

  5. Dragon-Tiger

  6. Five Animals

  7. Monkey Set

  8. Dragon Form

  9. Shaolin Pakua

  10. Shaolin Seven Two Chin-Na

  11. Flower Set

  12. Triple Stretch

  13. Cloud Hands

  14. Yellow Bee Sucks Pollens

  15. Old Eagle Catches Snake

  16. Cloud Hands Grasp Sparrow

  17. 108-Pattern Yang Style Taijiquan

  18. Wudang Taijiquan

  19. Twelve Sequences of Tantui

  20. Fifty Sequences of Eagle Claw

  21. Twelve Fists of Choy-Li-Fatt

  22. Siu Lin Tou

  23. Cham Kiew

  24. Phee Chee

  25. Eighteen Collection of Praying Mantis

  26. Taming the Tiger

  27. Iron Wire

  28. Drunken Eight Immortals

  29. San Zhan

  30. Er Shi Quan (Twenty Punches)

  31. Ti Jiao (Kicking Leg)

  32. Wudang Taijiquan

  33. Baguazhang Circle Walking

  34. Baguazhang Swimming Dragon

  35. Xingyiquan Five-Elemental Continuous Fist

  36. Xingyiquan Twelve-Form Continuous

  37. Shi Zhan of Wuzuquan

Guan Dao Weapons

  1. Butterfly Knives

  2. Thirteen-Technique Spear

  3. Taming Tiger Trident

  4. Crescent Moon Guan Dao

  5. Crescent Moon Spear

  6. Traveling Dragon Sword

  7. Taiji Staff

Others

Seven-Stars Unarmed

  1. Praying Mantis Crushing Fist

  2. Eighteen-Lohan Set

  3. Seven-Star

  4. Cotton Palm

  5. Dragon Strength

  6. Essence of Shaolin

Weapons

  1. Six-and-Half-Point Staff

  2. Fifth Brother Octagon Staff

  3. Chin Wah Staff

  4. 108-Point Staff

  5. Crescent Moon Spade

  6. Three-Sectional Soft Whip

  7. Golden-Legume Hammer

  8. Battle Axe

  9. Snake-Headed Lance

  10. Double Rods

  11. Double Sabres

  12. Through-Cloud Umbrella

  13. Happy Wanderer’s Fan

  14. Kungfu Bench

  15. Double Daggers

LINKS

History and Philosophy of Kungfu Sets
Videos and Pictures of Kungfu Sets

SELECTION OF QUESTIONS AND ANSWERS NOVEMBER 2015 PART 2 BY GRANDMASTER WONG KIEW KIT

(reproduced from http://shaolin.org/answers/ans15b/nov15-2.html)

Molly Sorensen

Molly Sorensen

Question 1

I really should have written you earlier, as I owe you many thanks for the wonderful courses you taught in Hawaii. I returned from that week feeling not only revitalized, but also a deep sense of confidence I did not have previously regarding my abilities as a Chinese medical practitioner, teacher of qigong, and overall public figure and speaker.

As the months have gone by a voice inside of me which had been unable to express itself has gotten louder and clearer, and I am very excited to finally begin my career helping others. The way to go about doing that has also revealed itself very simply and straightforwardly.


Editorial Note

Molly’s e-mail was received soon after the Hawaii courses in July 2014, but because of a long waiting list, the questions and answers are only posted in the Question-Answer Series now. You can have a glimpse of the Hawaii courses here and here.

— Molly, USA

Answer

I am glad you have benefited much from and enjoyed the Hawaii courses. The Intensive Zen Course, the first of its kind, certainly gave participants a lot of confidence and mental clarity.

I was very impressed that every one could speak on the spot on any topic provided by the audience. This was indeed a remarkable achievement. It will certainly enable you to perform well as a Chinese medical practitioner, qigong teacher, public speaker and any other responsibilities.

Question 2

I have an opportunity to teach qigong at a local clinic which treats infertility. This is an area of particular interest to me and one that I will be specializing in in my private practice.

This particular clinic has never offered qigong and my intent is to start with a 12-week session and see what sort of response I get from the patients there. I believe it will be quite positive, and that all of these women will greatly benefit from our Cosmos Qigong.

Answer

Teaching qigong at a clinic that treats fertility is a meaningful job, helping to bring lives and joy to the world. Later you may start your own clinic for this worthy purpose.

Jean, the Chief Instructor of Canada whose husband is a world-top surgeon, told me that she had 100% success in her qigong class with women who were previously infertile and wanted to have children if they practice twice a day.

Lifting the Sky

Lifting the Sky

Question 3

My plan for the session would be to transmit the basic skills for practice, as well as teach the basic pattern Lifting the Sky, as well as those more suitable for helping with fertility, such as Nourishing Kidneys and Carrying the Moon.

Of course I am aware that other patterns may be more suitable for some women depending upon their conditions, so I’m wondering if there are any other specific patterns you can recommend which might help with fertility.

Answer

Your teaching plan is excellent. Rotating Hips and Dancing Fairy are also useful, but these exercises need not be practiced, or only be practiced gently and occasionally, after women are pregnant.

Question 4

I was reviewing the instructions for Nourishing Kidneys that you wrote in the “Art of Chi Kung” and noticed some details in the book which you never mentioned in class when teaching this exercise.

When I teach this exercise, do I need to make any mention of a gentle focus of the Yongquan or Laogong points, or qi flowing up the spine, or is it best to simply pass this on as you have taught it to me in class, without those details?

Answer

The exercises, including Nourishing Kidneys, in my book, The Art of Chi Kung, were written for those who did not have the opportunity to learn from me personally. The book was also written when my teaching skills and methodology were far below my present levels. Those who have learned from me or from our certified instructors will get the best benefits practicing the exercises the way they have been taught.

Hence, in your teaching of Nourishing Kidneys it is not necessary to mention a focus at the Yongquan or Laogong points, or qi flowing up the spine. For other qigong patterns it is also not necessary to mention details described in my book.

Nourishing Kidneys

Nourishing Kidneys

Question 5

My other question is regarding how to proceed if any of these women do become pregnant during the course of the class. I recall you saying in a Question and Answer series that a pregnant woman with sufficient skill may practice gently until the third month of the pregnancy. Would you say that is still the correct guideline?

Answer

For precaution purposes, when a woman is pregnant she does not need to practice the way qigong has been taught to her by you. But she can induce a gentle qi flow once a day with some gentle exercises. My advice that a woman with sufficient qigong skills may practice gently until the third month of the pregnancy is still a correct guideline.

There is, nevertheless, an excellent exercise as follows that she should perform whenever she likes except around noon.

Enter into a qigong state of mind. Gently think that her baby is developing beautifully and healthily, and when the time is right, the delivery will be safe and pleasant.

Question 6

If you feel I am missing any details that may be helpful for teaching a group like this, I would greatly appreciate any insight you might be willing to give.

Answer

Make your teaching and the students’ learning fun, and ensure that your teaching is beneficial to them, but without burdening them. The benefits the students get should be more than the fees they pay.

The Force Method in Triple Stretch

Question 7

As for myself, my life is hectic but good. Joshua and I are still practicing kungfu regularly, are making good progress.

I had spent five months from May until October studying two to eight hours a day for all of my national Chinese medicine exams. Thanks to my kungfu and qigong practice, I was able to do that, work two jobs, go to school, and find time for my boyfriend, all without getting sick where someone else surely would have.

My lovely boyfriend and I have been together for nearly a year. We plan to get married next year, and start a family a year after that. It seems as if I’m on the brink of a new chapter of my life and I’m looking forward to it with excitement and gratitude.

Answer

You are an inspiration to all other students. Not only you are not sick for the hard work you are doing, I am sure you enjoy your work too and perform better than most other people. Our training certainly enrich our life.

Congratulations for having a boyfriend and planning to get married. To be a wife and mother, as well as to be a husband and father, are some of the happiest things in life.

Question 8

In the book, “The Art of Shaolin Kung Fu”, Sigung explains that in performing One-Finger Shooting Zen, “as you move your hand out and in, tense it and visualize it as charged with internal force” and then “even though you tense your arm and finger, you must never be tensed, especially in your chest”

So how to tense without tensing? If tensing the muscles is one of the biggest mistakes, how to do One-finger Shooting Zen correctly? http://www.wongkiewkit.com/forum/showthread.php?12258-Questions-on-One-Finger-Shooting-Zen

— Karol, Norway


Editorial Note: This question was summarized from Post 5 of Questions on One-Finger Shooting Zen in the Shaolin Wahnam Institute Discussion Forum. As this and the subsequent question are topical, they are posted here ahead of a long waiting-list.

Answer

It is a good question.

Let us have some fun. In performing One-finger Shooting Zen, you should tense your arm, and not tense your arm. The confusion is due to the limitation of words. Words do not explain exactly what we want to explain.

The first “tense” in “you should tense your arm” is not the same as the second “tense” in “not tense your arm”. Although the meanings are different, I still used the same word “tense” when I wrote the book 20 years ago in 1995 because I could not find another better word.

After many years of teaching, now I use words that give a clearer meaning. Now I say, “Focus your energy at your index finger, but do not use muscular strength”, or “Consolidate your flowing energy at your arm without tensing any muscles”.

In other words, in “tense your arm”, I mean “focus or consolidate energy at your arm”. In “not tense your arm” I mean “not tense the muscles in your arm”.

When you focus or consolidate energy at your finger or arm, your energy is still flowing, but it is focused or consolidated. The consolidated energy is flowing, not locked up or stagnant. You do not tense your muscles when you let your energy flow. If you tense your muscles, the energy will be locked up and be stagnant.

Such limitation of words occurs quite frequently in chi kung and kungfu descriptions. For example, after a few repetitions of a Sinew Metamorphosis exercise, we tell students to breath out forcefully but without using force! In developing internal force, we advise students not to use strength and they will develop a lot of strength.

In the “breathing” example, breathing out forcefully means breathing out with a lot of energy going out of the mouth. Without using force means without breathing out in a forced manner.

In the “internal force” example, the first “strength” means “muscular strength”, and the second “strength” means “internal force”. If we use muscular strength, we have to tense our muscles. When we tense our muscles, we stop the flow of energy that constitutes internal force.

The uninitiated will not understand the meaning of the descriptions although they know the dictionary meaning of all the words used. The initiated will have no difficulty understanding the meaning because they have experience of the situations.

Question 9

What are the flow method and the force method?

Answer

The flow method and the force methods are two main categories of methods to develop internal force. These terms were coined by me.

I did not invent the various force-developing methods. These various methods were used in the past. I analysed the principles in the various methods and categorised them into two main types, and call them the flow method, or xing-fa in Chinese, and the force method, or jing-fa.

In the flow method, we perform the techniques to train force in picture-perfect forms.. Then we perform the forms in a smooth flow, without beginning and without ending to generate an energy flow. When the energy flow becomes vigorous, it produces internal force. The various styles of Taijiquan are good examples of the flow method.

In the force method, we also perform the techniques to train force in picture-perfect forms. Then we consolidate energy into internal force. The consolidated energy is still flowing, but more focused and concentrated. Iron Wire and Triple Stretch are good examples of the force methods.

In studying and analysing various methods of developing internal force, I discovered that chi flow was necessary. It was increasing the chi flow or consolidating the chi flow that resulted in the flow method or the force method. This discovery tremendously sped up the process of building internal force. It is incredible but true that our students can now develop internal force in a month what I would need a year during my student’s days!

The process in the flow method is form-flow-force, and the process in the force method is form-force-flow. It is helpful to note that the crucial part of the processes of both the flow method and the force method is the middle part, and not the end part. In the flow method, we let our energy flow vigorously to develop force. In the force method, we consolidate energy into force and let it flow smoothly.


Editorial Note: An excellent answer by Sifu Leonard Lackinger can be found here



If you have any questions, please e-mail them to Grandmaster Wong via his Secretary at secretary@shaolin.org stating your name, country and e-mail address.

CULTURAL MEANINGS OF SIFU WONG CHUN NGA’S WEDDING CEREMONIES SERIES 10

(reproduced from http://www.shaolin.org/video-clips-4/chun-nga-wedding/ceremony-overview.html)

At the Newly Wed’s Home

After serving tea, the newly wedded enjoyed some tit-bits with relatives and friends. Then they return to their new home to begin their happily married lives together.