The deadly yin-yang kicks, known in our school as “Single Leg Flying Crane”
The next morning Wang Chen Thong with a few students, who were all abled-body youths, went to Guangdong Association. All those present in the association came forward to greet them respectfully.
Wang Chen Thong waved his hand and said, “Not necessary. Now is the time. Let me go to the lei-tai and kill Looi Hoong. Then I shall return to celebrate.”
He walked down the steps, then turned his head back to say. “Please prepare a few katis of wine for me. When I return, we shall drink heartily.”
When they arrived at Pure Ball Gate where the lei-tai was located, the place was already full of spectators.
On the platform, thunderous drums sounded. Looi Hoong stood in front of the stage and greeted the spectators. He said a few words then sat on a chair to wait for anyone to come up the lei-tai.
Wang Chen Thong turned to say to association members who followed him to the lei-tai, “Please wait awhile. Let me take the dog’s life of Looi Hoong so that you all can laugh.” After this, his feet gently tapped on the ground, and he flew up the stage like a swallow.
Looi Hoong saw that the challenger was strong like a bull, but had such art of lightness, and he knew that his kungfu is not shallow.
Looi Hoong grasped his hands in greeting, and asked, “May I know Warrior’s name?”
Wang Chen Thong smiled and replied, “You want to know my name? I am Wang Chen Thong, well known far and near, and today I come to avenge the dead.”
Looi Hoong also smiled. “Really fast person, fast action. I just stand here. You can do whatever you like. But you said that you came to avenge the dead. The ghosts of the dead will be waiting for you beneath the lei-tai. Humans and ghosts do not go the same way. I better send you there to meet them.”
Wang Chen Thong shouted, “Don’t talk non-sense. Quickly advance with your techniques.”
Immediately, he placed his two tiger-claws in front of his chest, with their back facing each other, and presented a Shaolin greeting.
Seeing this, Looi Hoong knew Wang Chen Thong was a rebel. The Shaolin greeting indicated that Wang Chen Thong was against the Qing Dynasty. Looi Hoong was secretly happy, and he advanced towards his opponent.
Looi Hoong used the tactic of arrow punch, with his punch following his step. Right step left punch, and left step right punch, left and right flowing and fast, attacking techniques are agile like rabbits, surprising and marvelous.
Wang Chen Thong saw the attacks were ferocious. So he moved step and changed stance, using a thread hand to guard himself, retreating accordingly and warding off accordingly. Although Looi Hoong’s techniques were vicious, he did not have any advantage.
Eventually, anger rose from his heart, and evil rose from his gall bladder. Looi Hoong twisted his stance and employed a pattern called “Black Crow Flaps Wings”, diagonally striking Wang Chen Thong with his elbow.
Wang Chen Thong sank down his stance and met the elbow attack head-on, using the pattern “Fierce Tiger Pushes Mountain.” There was a loud noise and Looi Hoong was bounced off many feet away.
Wang Chen Thong changed his hand techniques according to his steps. He moved forward and changed into a Bow-Arrow Stance, changed his palms into fists, and drove a right punch into the opponent’s chest.
Looi Hoong quietly called out “No good”, and jumped back about ten feet. His intention to kill arose, his eyes shone with hatred, he employed leg techniques and looked out for any weakness of his opponent.
At first Wang Chen Thong thought it was easy to take Looi Hoong’s life, but now he knew it was difficult. He became anxious, which affected his mind set. Thus his techniques became floating and confused. On the other hand, Looi Hoong’s techniques of yin-yang kicks concealed fatal attacks.
When Wang Chen Thong pressed near, Looi Hoong jumped up, and while he was still in the air, his right leg kicked at Wang Chen Thong’s “gate of the brain” (which was located at the back of the head). With an “Aha” sound, Wang Chen Thong was like a fish out of water, and fell down the stage.
People from Guangdong Association rushed forward to help. They found Wang Chen Thong amidst some dust, but was breathless.
After Wang Chen Thong’s death, Cantonese people were more angry. A lot of people came forward to the lei-tai to meet Looi Hoong, but were all defeated by him. In many days of the lei-tai match, there were more than 20 deaths, and countless people were injured.
Besides seeking doctors to aid the injured, Guangdong Association employed monks to recite sutras for the dead. Incense were burnt and the sound of sutra recitation was constantly heard.
That night a lot of people gathered at Guangdong Association. Everyone agreed that there would be no end if Looi Hoong was not killed on the lei-tai.
After a while, the director of the association, Chan Yuk Shi, said, “It is reasonable what everyone has said. But Looi Hoong’s kungfu is extraordinary. He is not known as Tiger Looi for no reasons. Seeing today’s matches, one can tell his valour. If we go to the lei-tai tomorrow without a high level challenger, it won’t be helpful. Hence, from what you have heard of capable persons, please inform me.”
Everyone was silent and started thinking. Then someone stood forward and said, “I propose a person. With his kungfu, killing Looi Hoong is more than sufficient.”
Chan Yuk Shi immediately asked who this capable person was.
The person replied, “He is Wang Chen Thong. His livelihood is fist and staff. His kungfu is excellent. Once, he hit a wall, and caused a big hole. I propose him. I am sure he won’t disappoint us.”
Chen Yuk Shi was very happy. Immediately he dispatched some persons with gifts to invite Wang Chen Thong.
After about two hours, Wang Chen Thong arrived. Everyone had a good look at him. He was like a Vajra King. His eyes shone like comets. The white and black of his eyes were well differentiated. Everyone venerated him respectfully, and went forward to greet him.
After the preliminaries, Chan Yuk Shi announced.
“Tonight, we specially invite Sifu Wang Chen Thong here, and our invitation shows that we admire and respect you extremely. Nevertheless, we have an intention. Without me saying, I believe sifu knows it. Looi Hoong, based on raw courage, insults all Cantonese people to this time. As long as anyone is a Cantonese person, he suffers great hurt, and view it as a great insult.
(Although Chan Yuk Shi did not learn kungfu, he addressed Wang Chen Thong as “Sifu Wang” out of courtesy.)
“Sifu Wang is also Cantonese. What you feel is like what we feel. But we are all traders. We don’t have the strength ‘to lift up an iron cockerel’ (which means ‘to have any noticeable strength’). Hence, after thorough discussion, we intend to invite glorious masters to avenge the dead, and remove the big insult on Guangdong.
“Everyone admires the miraculous valiance of Sifu Wang, and regards Sifu Wang as unparallel in the world. Hence, without intruding, we hope Sifu Wang can help us, to erase the insult of over thousands and millions of Cantonese people. We wonder what is Sifu Wang’s view?”
Wang Chen Thong laughingly replied in a clear, loud voice.
“This is a small matter. You need not be so full of courtesy. I don’t mean to be boastful, but even if my students come out, it is more than sufficient. Tomorrow, I shall represent all of you to kill this disgrace of martial circles.”
Everyone was jumping with joy. Chan Yuk Shi ordered a sumptuous dinner in honour of Wang Chen Thong. He personally toasted for Wang Chen Thong’s success.
After a few rounds of toasts, Wang Chen Thong loudly proclaimed, “Tomorrow I shall certainly kill Looi Hoong on the lei-tai to thank the feeling of our clansmen.”
Attacks can come in countless ways, but to facilitate learning, masters have group them into four major categories, namely:
Sequences 1 to 8 deal with striking attacks. While Combat Sequences 1 to 4 use the left leg mode with “Black Tiger Steals Heart” as the leading pattern, Combat Sequences 5 to 8 use the right leg mode leading with “Fierce Tiger Speeds Through Valley”. And while Sequences 1 to 4 focus on developing skills, Sequences 5 to 8 focus on expanding techniques.
Numerous fundamental skills have been developed, and they include:
Flowing movement and force
Numerous tactics are also introduced, and they include:
First defence then counter
Defence cum counter
No defence direct counter
Alert the east attack the west
Feint moves and exposure
In order that you can develop the skills to using typical kungfu techniques spontaneously in combat, these combat sequences are practiced in progressive stages, as follows:
“Bar the Big Boss” was introduced in the previous combat sequence in place of “Single Tiger” against the opponent’s thrust punch. In this sequence we learn a new technique that develops from “Bar the Big Boss”. Instead of blocking the opponent’s arm, we can chop at it, using the pattern ”Attending Meeting with Single Knife”.
The opening attack “Fierce Tiger Speeds through Valley” in this sequence, as in the other sequences, is used as a feint move to tempt the opponent to counter-attack. That is why the left guard hand, which is normally held near the right shoulder in this pattern, is purposely left exposed.
As the opponent falls into our trap and counter-attacks, we can respond in numerous prepared ways, such as executing another “Fierce Tiger” in Sequence 5, “Dark Dragon” in Sequence 6, and “White Snake” in Sequence 7. In this sequence, we use “Single Knife” to fracture his attacking arm or dislocate his attacking elbow, followed immediately with “Horizontally Sweep a Thousand Armies” at his neck. Hence, if you are well trained, like having practiced selected techniques at least 50 times daily for a few months, you may defeat your opponent the moment he responds to your feint moves.
But if you opponent is well trained too, he can of course neutralize your rehearsed attacks. In this sequence, for example, he intercepts your “Horizontal Sweep” with a “Single Knife”, and irrespectively of whether you could shift your arm away in time, he follows immediately with a “Golden Leopard Speeds through Jungle” into your ribs.
As you strike his attacking arm with “False Leg Hand Sweep”, he “flows” over your attacking hand and swings a “Reverse Hanging of Lotus” on your right temple, guarding your right leg with his right leg. You may neutralize his “Hanging Lotus” with “Golden Dragon”. At this point, both you and your opponent have a good opportunity to continue combat. You may, for example, move forward with a “Black Tiger” or a “White Snake”, thus continuing with any of the Sequences 1 to 4. Later, when you have learned kicking techniques, you may continue with a right thrust kick or a left side kick.
Here is a quick review of what you have learnt. Combat Sequences 1 to 4 are meant to train fundamental combat skills like right timing, right spacing, flowing movements, safe coverage, foot adjustment, and instantaneous changes. The four fundamental hand attacks to the top, middle, bottom and sides, and their corresponding defences are used. The stances used are mainly in the left mode. These four sequences constitute the kungfu set “Black Tiger Steals Heart”.
Sequences 5 to 8, which constitutes the kungfu set “Fierce Tiger Speeds Through Valley” introduce the right leg mode as well as many hand techniques for attack and defence. Sequence 5 introduces the tactic of pressing attacks, where a skilful exponent may press an opponent against a wall almost irrespective of the latter’s defensive moves! Sequence 6 introduce the left palm strike, applying internal force. It also illustrates the progression from 3 movements to only I movement in apply the pattern “Dark Dragon Draws Water”.
Needless to say, all techniques, skills, tactics, principles and so on are trained progressively, not exclusively. In other words, although fundamental skills like right timing and right spacing are emphasized in Sequences 1 to 4, these skills are constantly improved in all other sequences. Although tactics like pressing attacks and “alert the east, attack the west” in Sequences 5 and 6, they can be used in any other sequences.
So far we use “Single Tiger Emerges from Cave” to defence against “Black Tiger Steals Heart”. In Sequences 1 to 4 the left “Single Tiger” is used, and in Sequences 5 and 6 the right “Single Tiger”. In this sequence, a new defence technique is used against the “Black Tiger”, namely “Bar the Big Boss“.
In this situation and if all other things were equal, “Bar the Big Boss” has a technical advantage over “Single Tiger Emerges from Cave”. In applying the “Single Tiger” you have to bring back your front right leg from the right Bow-Arrow Stance to change into the right False Leg Stance, and bring back your right hand from “Fierce Tiger Speeds through Valley” in a big arc to change into the “Single Tiger”. But in applying “Bar the Big Boss”, you merely need to shift from a Bow-Arrow Stance to a sideway Horse-Riding Stance, and change your horizontal arm to a vertical arm position, which is technically faster.
Then, why bother to learn “Single Tiger” when “Bar the Big Boss” is better? The answer is that other things are not equal. There are other situations where the “Single Tiger” is technically better than “Bar the Big Boss”. Even in this combat situation, there may be other factors which make “Single Tiger” a better choice. For example, we may not merely want to deflect the attacker’s punch, but use the tiger-claw in the “Single Tiger” to grip the attacker’s elbow or wrist.
Bar Big Boss
In the previous sequence, we learned the progression from 3 moves to just 1 move when applying “Dark Dragon Draws Water”, hence increasing our speed but without actually trying to be faster! This sequence also provides us with a good opportunity to learn and develop this skill of minimizing movements, as follows.
When you have become skilful in applying “Bar the Big Boss” followed by “White Snake Shoots Venom” as two separate patterns (with a short pause between the patterns), you can perform the two patterns continuously as if they were one pattern (i.e. without any pause between them). Gradually you will discover from your own experience that instead of first applying a vertical block as in “Bar the Big Boss”, then followed with a taming hand as part of “White Snake”, you can achieve the same effect by using a smooth curve of your right hand in one movement instead of two.
Then you will also discover that you do not even need to change from Bow-Arrow Stance to sideway Horse-Riding Stance. All you need to do is to swerve your body in a smooth curve as you apply “White Snake Shoots Venom”, even without the need to apply “Bar the Big Boss”. In other words, from the previous “Fierce Tiger Speeds through Valley”, you can proceed straight to “White Snake Shoots Venom”, thus reducing three patterns to two.
If you execute this “White Snake” well, not only you can be very fast — striking the opponent’s throat almost the same time he thinks he can hit you with his thrust punch — but you will also have “tamed” his hands in such a way that, apparently, he could not defence against your counter-attack. Yet, by withdrawing his front left leg a small step back into a front False Leg Stance, he could free his hands to counter your palm thrust with a “Golden Dragon”. This should reminds us that in real life, even when the situation appears hopeless, by taking a step back, one can often find a viable solution.
Your opponent counterattacks with a low punch. He must adjust his foot position before moving in with a low sideway Horse-Riding Stance, otherwise without you having to do anything he offers you a free advantage that you can exploit. You response to his low attack with a hand-sweep, breaking or dislocating his elbow or wrist.
As he moves his arm away to avoid your hand-sweep, you move in with a palm chop using the pattern “Chop the Hua Mountain”. Remember to cover yourself as you move in, otherwise he may jab his right palm into your ribs or abdomen.
You may notice that this is a progression or developmental lesson from “Precious Duck”. Previously, you learned that if your opponent struck your low punch with a hand-sweep, your brushed away his attack and counter-attacked with “Golden Star” or “Chop the Hua Mountain”. Now you reverse the role. If your opponent attacks you with a low punch, you strike him with a hand-sweep, but before he can counter-attack with “Golden Star” or “Chop the Hua Mountain” (like we have learned), you follow up with “Golden Star” or “Chop the Hua Mountain” instead. This is giving your opponent what he intends to give you.
Your opponent has an excellent counter — “Tame Tiger with Double Bows”. Here he applies the tactic of “no defence direct counter”, like what you did when you applied “False-Leg Hand Sweep” to his low punch. But this “Double Bows” attack is even faster. In “Hand Sweep” you counter-attack when his attack is just spent. In “Double Bows” he counter-attacks when you attack is still on its way.
Chop Hua Mountain
This “Double Bows” counter-attack provides an excellent opportunity for you to practice and develop your flexibility. To defend against this counter-attack, you move your front right leg backward from the right Bow-Arrow Stance to a right False Leg Stance, and simultaneously deflect his strike with a right tiger-claw. This movement demands much skill because you have to shift back your forward moving leg immediately it touches the ground in its forward movement.
This skill, which is essential for sound defence, has been introduced right at the start of the combat sequences. It involves the left leg mode in Sequences 1 to 4 (from “Black Tiger” to left “Single Tiger”), and the right leg mode in Sequences 5 and 6 (from “Fierce Tiger” to right “Single Tiger”). Speed was not as urgent in these combat situations because the opponent used the tactic of “first defence then counter”. Here the opponent not only uses “no defence direct counter”, but also his counter comes at a time when your attack has not even been completed. If you are trained to defend against this counter-attack well, defence in other situations will be relatively easier.
All these wonderful techniques and tactics are possible if our stances are both solid and flexible, showing how important stances are in combat even at this level, which is actually at the beginning stage of our kungfu training programme. In other words, those who prefer to bounce about, mistakenly thinking that stances are ineffective in fighting, have not been exposed to even the basics of kungfu philosophy and practice.
Why is Shaolin Kungfu more effective in combat than other martial arts?
– Tomas, United Kingdom
Answer by Grandmaster Wong Kiew Kit
We can derive a good answer from my own experience.
In my younger days, as now over 70 I still consider myself young, I actually went out to look for sparring opponents to test my combat efficiency. I soon discovered that when I used techniques which were also found in other martial arts, like Black Tiger Steals Heart which is a thrust punch, and Happy Bird Hops up Branch which is a side-kick, my opponents of other martial arts could defend readily. But when I used techniques not found in their martial arts, like Lohan Tames Tiger and Rising Dragon and Galloping Tiger, my opponents would have difficulty defending.
The underlying philosophy, which occurred to me not at the time of sparring but much later, was quite obvious. If techniques A, B, C, D were found in their martial arts, and you used A, B, C, D against them, they would know how to defend. If techniques P, Q, R were not found in their martial arts, and you used P, Q, R against them, they would not know how to defend.
When you attacked your opponent, you must make sure he could not attack you at the same time. This was not difficult for me because “safety first” was a cardinal principle in my kungfu training. I always covered my opponents before attacking them, and as I used attacking techniques that they did not know, I always beat them.
Skills are more important than techniques in combat. Even when your techniques are superior, but if your opponent is more skilful, like he is faster and more powerful, he will still beat you. I did not realise this important principle at first. I only differentiated between skills and techniques much later. But I overcame this problem because initially I chose opponents who were of a same level as or lower level than me. Later when my combat skills improved, but still without consciously knowing the difference between skills and techniques, my choice of opponents became more liberal.
Another very important factor in combat is force, especially internal force. When I had developed remarkable internal force, I found that I could not only defeat opponents more easily but also opponents who were younger and bigger-sized than me.
A significant factor contributing to victory in combat is the application of tactics and strategies, which are rich in Shaolin Kungfu but not frequently found in other martial arts. At first I was unaware of combat tactics and strategies, but they were already incorporated in the combat sequences I used. Later with better understanding of combat tactics and strategies, my combat efficiency improved.
Hence, the many reason why Shaolin Kungfu is more combat effective than many other martial arts are a rich range of combat techniques not found in other martial arts, the focus of developing skills in genuine Shaolin training, the development and use of internal force in combat, and the application of combat tactics and skills.
What benefits you can find in Shaolin Kungfu that cannot be found in other martial arts?
Answer by Grandmaster Wong Kiew Kit
An excellent answer was supplied by Kai (Sifu Kai Uwe Jettkandt, Chief Instructor of Shaolin Wahnam Germany), who was already a world known martial art master and an international all-style free sparring champion before he learned from me.
Kai told many Shaolin Wahnam members that he practiced Shaolin Kungfu because it fulfilled to a very high-level all the three attainments he looked for in any martial art — good health, combat efficiency and spiritual cultivation. Kai explained that many martial arts were good for fighting but bad for health. Some martial arts were good for health, but not effective for combat and lacked spiritual cultivation. Shaolin Kungfu has all these attainments to a very high level.
One can have these three attainments irrespective of his age. In many other martial arts, as a person ages, his health and combat efficiency are affected. But in Shaolin Kungfu, a practitioner actually becomes healthier and more combat efficient.
Many Shaolin Wahnam members told me that they were healthier and fitter at 50 than they were at 30. In many other martial arts, as a person becomes older, his strength and stamina become weaker, and therefore his combat ability is less efficient. But due to internal force which is independent of age, size and gender, and which also contributes much to his health, vitality and longevity, he becomes more combat efficient as he grows older.
Shaolin Kungfu is extremely rich in philosophy, which records the essence of centuries of past masters. Not only the combat tactics and strategies enable present Shaolin practitioners to be more combat efficient, its philosophy enriches their daily life.
Not many people may realize that Shaolin Kungfu and Taijiquan are the only two martial arts that originated from spiritual cultivation. All other martial arts gear towards fighting. Bodhidharma, the first patriarch of the Shaolin arts, and Zhang San Feng, the first patriarch of Taijiquan, practiced their arts to attain Zen or Tao, which in Western language means return to God the Holy Spirit.
If you have any questions, please e-mail them to Grandmaster Wong via his Secretary at email@example.com stating your name, country and e-mail address.
Many in Shaolin Wahnam train kungfu to be the best persons they could be
I have been practicing Shaolin Cosmos Chi Kung for over 3 years now and i am amazed by it. It has helped me in ways that i couldn’t believe.
I would love to become an instructor so I can help others
The reason why I am asking a lot about being a Sifu is that it will help me move forward in life. i have had so many difficulties in life. I suffered 10 years of depression. I was stuck for a long time. I have many more problems
Becoming a teacher will help me move forward. It will help me with income too. Don’t get me wrong. I’m not wanting to make lots and lots of money. There is more to life than money., but it will help
That’s why i asked you if I could spend some time with you.
At this time I’m very happy and life is good and healthy but i need to move forward.
— Qasim, Ireland
Before becoming a chi kung instructor you must first be a good chi kung student. It is very important to realize that being an instructor in our school is like being a father to your students, and to preserve our arts for posterity by passing on to your students our arts so that they too will get the wonderful benefits we enjoy, like good health, vitality, longevity, mental clarity, peak performance and spiritual joys.
The main aim in becoming an instructor is not to overcome your own health problems, to move forward in life and to become rich, though interestingly all these results will be accomplished as bonuses if you are successful in teaching our chi kung.
You need to be healthy first before becoming a chi kung instructor. As a teacher of an elite art, your teaching which requires that you are a living example of the art, will move you forward in life. As the fees we charge are high when compared to what most other chi kung instructors charge but little when compared to the benefits our students get, you can become rich if you have a large class.
But all these results are bonuses, and not the reason why one becomes a chi kung instructor in our school. The aim is to pass on our arts to deserving students so as to preserve our arts for posterity.
This means that if an instructor in our school does not move forward in life and does not become rich, but succeeds in passing on our arts to deserving students, he has accomplished the aim of becoming an instructor. Becoming healthy is a prerequisite. We do not want an instructor who himself is sick.
Unlike in most other schools, a potential instructor does not have to spend a long time studying with me, though he (or she) has to spend a long time practicing the art on his own to be proficient in it. He needs to attend my Intensive Chi Kung Course as this course covers the whole range of chi kung skills ranging from a beginner’s level, which he needs to teach his beginning students at the level of the students and not at the level the instructor himself practices, to a master’s level, which the instructor is at or aspires to be. It is important that an instructor teaches at the level of his students, and not at his own practicing level. This is a teaching point many new instructors neglect.
It is our school policy to appoint instructors according to seniority and usually recommended by the Chief Instructor of the country. As there are many students more senior than you, it is unlikely that you will be appointed.
My practice is going very well. I have been focusing more on chi kung lately, but taking that step back seems to have taken my Kungfu to a newer level.
— Tim Hooren, Belgium
This is natural and logical for us in Shaolin Wahnam.
This was also natural and logical for past masters. In the past there was no separation between advanced kungfu training and chi kung training. Advance kungfu training was chi kung training.
In other words, when a master trained kungfu, called “lian gong” in Chinese, what he actually trained was chi kung, like developing his internal force. He had long past the stage of practicing kungfu forms.
Grandmaster Wong performing a Guan Dao
Character development is for me personally the major change right now happening, and I think it’s the most important for me also. Looking back I was very weak in daily life, in everything.
I am becoming harder — in my ways, my doings. In taking decisions, speaking out to people, I am becoming very straight forward, and this is fusing completely with my combat ability.
This is wonderful. Indeed, this was a mark of great kungfu in the past. When master trained great kungfu, they became the best person they could be. Those who trained lower level kungfu became good fighters.
I am glad that many students in our school has made this their aim, to become the best person they can be.
I had special experiences. At home, one evening outside of practice, all of a sudden I felt like holding two broadswords, and I could use them and apply them in such a fantastic way. I did a sequence with these swords.
I also had experiences applying a spear and Guan Dao, all the way to experiencing pushing my energy to the sharp blade of the Guan Dao. Even more amazing, I felt the difference between the weapons. The spear felt very light, and I could even sense the red cloth under the spearhead. I could basically hit any point of an opponent’s body with the spear-point.
Dear Sifu, why is it that I can sense these weapons so well? I actually can still to this day sense the Tiger with me as well.
You were reliving your former life or lives
An effective way to spar is to employ a combat sequence to press into an opponent
People would think I’m living in a fantasy world, but I’m very much down to earth about all of this, and of course I don’t go telling people about all this, but I thought I had to share these experiences with Sifu.
Yes, many people would think you have gone crazy. It is not wise to share such experiences with them.
Many people do not even believe things like internal force and overcoming so-called incurable diseases, which are clearly recorded in kungfu and chi kumg classics. Either they do not believe such things are possible, or they do not believe we are capable of such abilities. They think we are crazy, or we are big liars.
I asked a street fighter who won most fights about his fighting, and he told me it was very simple to be victorious. Go in and don’t stop.
This brings me to our combat sequences and what Sifu has been advocating all this time. We go in with a pattern and immediately follow up with our other patterns from our sequence until the opponent is down.
There is one big difference. We follow the principle of “safety first”, but they don’t. We make sure we are safe by covering our opponents adequately.
Their opponents are not good at combat. As long as they move in relentlessly, they can easily beat their opponents, who are quite helpless.
An excellent strategy in combat is to press into an opponent with a combat sequence
In the past, I couldn’t apply this strategy, because I didn’t have the correct mind state. And this is the most fantastic, the character development and life experience lead me to experiencing and understanding the mind state needed to fight, and use our Kungfu, which is just fantastic.
Yes, the mind set and internal force are actually more important than the fighting techniques. The street figher, for example, does not have the techniques and internal force. He only has the mind set. Yet he is quite successful in winning fights.
I want to become a world’s best fighter. What should I suppose to do?
— Name and country not stated
If you want to become a world’s best fighter, you have come to a wring school. Although we place much importance on combat efficiency in training a martial art, or else we shall make a mockery of ourselves, becoming a great fighter is low in our priority.
High in our priority is to have good health, vitality, longevity, mental clarity, peak performance and spiritual joys. In other words, we are dedicated in our daily training not because we want to be great fighters but because we want to be healthy, have zest in our daily life, live to a ripe old age, clear in our thinking, do well in our work and play, and be peaceful and happy.
If actual fighting is not high in our priority, why do we place much importance in combat efficiency? Isn’t it a contradiction?
No, it is not a contradiction. We place much importance to combat efficieny because we practice a martial art. We do not want to fight if we have a choice, but if we have to fight for whatever reasons, we shall fight very well. More significantly, training a martial art enables us to gain the benefits mentioned above, like good health, vitality, and spiritual joys, more immediately and deeply.
Good health, for example, represent the climax of chi kung training, but the starting point of martial art practice. In other words, practitioners in chi kung consider their training completed when they have have good health, but martial artists consider good health the beginning of their training.
Moreover some desirable qualities, like mental clarity, are more urgent in marital art training. For example, chi kung practitioners normally have more time to emplly mental clarity to make wise decisions, but in martial art training when an opponent’s punch or kick is coming at you, you need mental clarity instantly to make wise decisions.
Unfortunately, many martial artists today show a glaring lack of mental clarity. They do not realize that they are becoming more unhealthy the more they train, and their training does not enable them to defend themselves, otherwise they would not be routinely hit in free sparring!
There are many useful things you could do. For a start I would suggest, for your own benefit, that you learn to write a letter properly. You should at least have a salutation at the beginning of your letter, and a signature at the end.
You should start your letter with â€œDear Mr Wongâ€, â€œDear Sifu Wongâ€ or â€œDear Sir or Madameâ€. You should end your letter with â€œYours faithfullyâ€ or â€œYours trulyâ€, followed by your name or pen-name.
If you have any questions, please e-mail them to Grandmaster Wong via his Secretary at firstname.lastname@example.org stating your name, country and e-mail address.