(reproduced from http://shaolin.org/general/legends-of-southern-shaolin/legends12.html)
“White Crane Steps on Snow” in the Essence of Shaolin
When Fong Sai Yuk was brought back to Guangdong Association, his shirt was removed and people around found that the protection shield which protected Fong Sai Yuk was broken, yet Fong Sai Yuk sustained serious injury.
“If not for the protection shield,” Miu Chooi Fa commented, “Sai Yuk would have been killed by the ‘chuin sam thui’ (or through-the-heart kick) of Li Siew Wan. But Sai Yuk is still seriously injured. This can show how powerful was Li Siew Wan’s thrust kick!”
Miu Chooi Fa applied some medicine on Fong Sai Yuk, then asked him to rest. She regarded her son as her “precious heart” (which means “very dearly”). “I must avenge this kick on my son,” she declared. So she wrote a challenge to Li Siew Wan, asking her for a lei-tai match the next day.
“It is honorable for you to challenge Li Siew Wan on a lei-tai,” Chan Yuk Shi commented. “She is actually a pitiful woman. She just lost her husband, killed by Young Master Fong. Although Young Master Fong is seriously injured, he will recover in time. But duel after duel, when will this end?”
The next morning, Miu Chooi Fa led many supporters from Guangdong Association to Pure Ball Gate where the lei-tai was. Li Siew Wan was already waiting for them.
Miu Chooi Fa jumped up the stage and asked, “Are you Li Siew Wan?”
“That’s right. I’m Li Siew Wan. I suppose you are Miu Chooi Fa.”
“Your husband bullied the weak, created trouble for society, men and gods were angry at him. Yet, you hurt my son. Today I specially come to meet you, to experience your through-the-heart kick.”
“There is a saying that failed children come from devoted mothers. I suppose there is truth in the saying. Not only you do not teach your son, you protect his wrong. If I do not kill him, others will.”
“My son is not killed. He is only injured. He will be well soon,” answered Miu Chooi Fa.
Li Siew Wan was surprised. Her through-the-heart kick had always proven to be fatal if she used it. But she maintained her composure and said, “As you have come up the lei-tai to experience my through-the-heart kick, let’s begin.”
She moved forward and executed a thrust punch. This was a feign leading move. Amongst skillful kungfu exponents, the one who moved later had a slight advantage. But a skillful exponent could start with a feign leading move to tempt the opponent to react.
But Miu Chooi Fa was very skillful. Not only she did not ward off the attack, she adroitly moved to the opponent’s back, turned around and struck out her right palm, using the pattern “Return Horse Strike Palm”.
Hearing the sound of the palm, Li Siew Wan moved slightly forward to avoid the attack, and immediately turned around and struck out both palms, each aiming at Mui Chooi Fa’s vital points in the pattern “Fierce Tiger Pushes Mountain”.
Without moving her feet, Mui Chooi Fa sank back her body to avoid the attack, then thrust out her two fingers in between the palms to dot the opponent’s “tan zhong” vital point at the solar plexus, using a “dim-mark” (or dotting vital point) technique. (This dim-mark technique was from the Flower Set, a specialty of her father, Miu Hein.)
Li Siew Wan was taken aback. She quickly shifted her body to a side to avoid the dim-mark attack. Then she engaged Mui Chooi Fa’s hands on top while she insidiously swept the opponent’s front leg below. Miu Chooi Fa moved her front leg to become her back leg, but Li Siew Wan moved in and swept the opponent’s leg again, using the pattern “Continuous Leg Sweeps”.
Miu Chooi Fa jumped off and responded with “Return Head Hand Sweep”, sweeping the opponent’s body while in a horse-riding stance. Li Siew Wan jumped away using “Move Body Little Jump”.
Both combatants exchanged numerous encounters, fast and precise, and like fire from grinding stones. Li Siew Wan was known as “Vicious Techniques Marvelous Girl” in kungfu circles, and her art was above that of her husband, Tiger Looi. Miu Chooi Fa was a skillful Shaolin disciple, often practicing with her father, Plucking-Star Lohan Miu Hein.
Li Siew Wan decided to use her ultimate technique, her through-the-heart kick. With a few flowery moves to distract the opponent, she used her right thrust-kick at Mui Chooi Fa’s chest. But Miu Chooi Fa was ready for the kick. She adroitly moved her body to her left side and simultaneously step at Li Siew Wan’s standing left knee using the pattern “White Crane Steps on Snow”.
Li Siew Wan fell on the floor of the lei-tai, and Mui Chooi Fa immediately moved in with a finishing technique, a palm strike on the opponent’s head using the pattern “Tai San Ngat Ting” (or “Tai Mountain on Top”). Just as she was about to execute the palm strike, she remembered Chan Yuk Shi’s words, “duel after duel, when will this end?” She recalled that Li Siew Wan was actually a pitiful woman.
Miu Chooi Fa jumped away using the pattern “Move Body Little Jump”. Then she jumped down the lei-tai and walked away.
Wong Kiew Kit,
9th January 2018, Sungai Petani
(reproduced from http://shaolin.org/general/legends-of-southern-shaolin/legends11.html)
“Fierce Tiger Springs Claws” during the Essence of Shaolin course
When Fong Sai Yuk arrived at the lei-tai, or stage for kungfu combat, Li Siew Wan was already waiting.
“I am Fong Sai Yuk. Why did you invite me for a lei-tai match?”
“Fong Sai Yuk,” Li Siew Wan replied, “My husband and you had no hatred. Why did you ‘deliver you poison-hand’ (which means ‘kill him’)?”
Fong Sai Yuk laughed coldly. “How can you say this? Sifu Looi set up the lei-tai to challenge heroes of the world. If there are death or injury, it is the will of heaven. No one can blame another. Not only this, those who died under Sifu Looi’s hands, whom would their wives ask for revenge?”
Li Siew Wan was furious but could not answer. She went straight at Fong Sai Yuk with an eagle-claw. Fong Sai Yuk warded off the attack, and pierced a finger-thrust at her with the pattern “Soon Yang Thrusts Sword”.
(“Soon Yang” is one of the eight Taoist immortals. Another of his name was Zhong Pin, and his surname was “Lu”. Lu Soon Yang or Lu Zhong Pin was famous for his sword.)
Li Siew Wan jumped over Fong Sai Yuk with the pattern “La Char Flies in Heaven”. (La Char is a child-god, and the son of the Heavenly King, Li Ching, who carries a pagoda.) Before Fong Sai Yuk could turn around, she moved forward and struck his back with the pattern “Wu Song Opens Window”. (Wu Song was a warrior in the Song Dynasty famous for killing a fierce tiger.)
Fong Sai Yuk heard a sound from behind. He bent forward and executed with his left leg a sideway tiger-tail kick using the pattern, “Fierce Tiger Stretches Waist”. Most people would be hit by the tiger-tail kick, which was one of the no-shadow kicks. But Li Siew Wan was skillful in kungfu, without moving her feet, she slanted her body backward to avoid the tiger-tail kick, and simultaneously caught Fong Sai Yuk’s leg with the pattern “Two Tigers Subdue a Dragon”. She would have moved forward to execute a coup de grace.
But Fong Sai Yuk was not worried. He placed his hands on the ground and shot off his right foot at Li Siew Wan’s front leg in a pattern called “Crane Dances in Clouds”. (In our school this pattern is called “Fierce Tiger Springs Claws”.) Li Siew Wan was excellent in kungfu. She jumps back to avoid the second kick.
The two combatants had many exchanges on the lei-tai, each knowing the other was highly skilled in kungfu. They fought like comet chasing the moon, every technique was executed with precision like breeze flowing though clouds.
While using his hands to engage the opponent’s hands, Fong Sai Yuk lifted his left leg to kick at the lower body of Li Siew Wan using the pattern “White Crane Flaps Wings”. But Li Siew Wan did not defend against the kick. She shifted her body slightly to her left and with her right thrust-kick executed “White Horse Presents Hoof” at Fong Sai Yuk’s chest, using the tactic of “no defence direct counter”.
Fong Si Yuk could not avoid the attack. He was kicked at his chest and fell more than ten feet backward, lying motionlessly on the lei-tai. Members from the Guangdong Association rushed up the stage to carry Fong Sai Yuk away.
“You have sustained internal injury and will die,” Li Siew Wan called after him. “This ‘chuin sam thui’ (which means ‘through-the-heart kick”) is my ultimate technique.”
Wong Kiew Kit,
9th January 2018, Sungai Petani
(reproduced from http://shaolin.org/general/legends-of-southern-shaolin/legends10.html)