SOUTHERN FISTS NORTHERN KICKS

(reproduced from https://shaolin.org/general/legends-of-southern-shaolin/legends45.html)

White Horse Presents Hoof

White Horse Presents Hoof



Luk Ah Choy and Ma Hoi Sing went to the same open space near the door. Luk Ah Choy adopted the poise stance he used earlier to defeat Cheah Pak, “Single Tiger Emerges from Cave”, with his right tiger-claw in front in a right lift-leg stance. Ma Hoi Sing adopted the same poise stance in his left bow-arrow stance with two hands in front.

Ma Hoi Sing moved forward with a left bow-arrow stance and struck Luk Ah Choy with his left palm. Luk Ah Choy moved back his front leg and thread away the attack, then gripped Ma Hoi Sing’s left wrist with his left tiger-claw. Immediately Ma Hoi Sing struck forward his right palm. Luk Ah Choy retreated his body slightly to avoid the palm attack, and again gripped the attacking wrist with his right tiger-claw.

Now both of Ma Hoi Sing’s hands were held by Luk Ah Choy’s tiger claws. If Luk Ah Choy were to grip hard on the energy points at Ma Hoi Sing’s wrists, Luk Ah Choy would have numbed the hands of Ma Hoi Sing, making Ma Hoi Sing unable to fight further.

But Luk Ah Choy merely held the hands. He wanted to show Ma Hoi Sing that he could use the same technique to defeat Ma Hoi Sing, despite the saying that northern kungfu styles were known for kicks, and southern kungfu styles were known for fists.

Luk Ah Choy lifted Ma Hoi Sing’s both hands upward, still holding them, thus blocking Ma Hoi Sing’s sight. Simultaneously he executed a thrust kick at Ma Hoi Sings chest using a pattern called “White Horse Presents Hoof”. But Luk Ah Choy did not kick his opponent; he merely touched the chest. Then he lowered Ma Hoi Sing’s hands, covered them well with his own left hand, and pierced two fingers of his right hand into Ma Hoi Sing’s eyes, using a pattern called “Two Dragons Fight for Pearl”. Again he did not really pierce the opponent’s eyes. He stopped an inch from target. Then he gently push Ma Hoi Sing away, out of the fighting arena.

“Seng Yeong,” Luk Ah Choy said.

(“Seng Yeong” was in Cantonese pronunciation. The phrase meant “allowing me to make my moves”, and was often used by a winner in kungfu combat because of courtesy.)

“Thank you for not hurting me,” came the reply.

Ma Hoi Sing was dejected. He went towards the table to collect his double sabres.

“Actually my specialty is these double sabres,” he said.

“I can also fight you with weapons if you like.”

“What weapons would you use?” Ma Hoi Sing asked.

Luk Ah Choy looked around. Then he answered, “I’ll use a wooden bench.”

“A wooden bench? It’s meant for people to sit on, not for fighting.”

“A skillful exponent can use anything to fight,” Luk Ah Choy replied.

“It’s not fair. My sabres can cut you, but you can only hit me.”

“In the hands of an expert, a hit by a wooden bench can be more deadly than a cut by a sabre. If you can cut me, it shows that your kungfu is superior, in which case I have nothing to say. But I can assure you that you cannot even touch me,” commented Luk Ah Choy.

The two combatants assumed their poise stances. Ma Hoi Sing rushed forward with a right downward slash. Luk Ah Choy deflected the slash with his wooden bench. Instantly the left sabre came down with another downward slash. Again Luk Ah Choy deflected the slash with his wooden bench.

For the next attack, Ma Hoi Sing changed techniques. Instead of a downward slash, he attacked with a reverse slash of his right sabre, i.e. the slash moved from downward to upward, and aimed at Luk Ah Choy’s groin followed up to his body.

Luk Ah Choy let the reverse slash pass his body by retreating slightly, and at just the right moment he followed the upward movement of the slash with the legs of the bench facing skyward, and by turning the legs downward again, he locked Ma Hoi Sing’s right arm, causing him to drop the sabre.

Ma Hoi Sing used his other sabre to pierce at Luk Ah Choy. Luk Ah Choy moved adroitly to his right side to avoid the pierce, then lowered the wooden bench at Ma Hoi Sing’s left arm, with the legs of the bench facing downward, slamming the bench onto the floor. Immediately, Luk Ah Choy thrust the bench at Ma Hoi Sing, causing him to drop the sabre to jump back. Now both sabres were disarmed.

Again, Luk Ah Choy said, “Seng Yeong”.

“Warrior is very fast and skillful. May I know your name, and what style of kungfu you practice?”

“As you have said, I don’t change my name while sitting or traveling. My name is Luk Ah Choy, and I practice Shaolin Kungfu.”

“Shaolin Kungfu? It is the best martial art in the world!” exclaimed Ma Hoi Sing. He then left the shop with his gang members. Henceforth, Luk Ah Choy’s name became very well known.

Luk Ah Choy went to examine Cheah Pak.

“Luckily, you are not serious injured,” Luk Ah Choy said.

Chan Chun Fook, the old owner of the shop, added, “If warrior does not mind, to ensure Cheah Pak’s recovery, you can stay in my shop for a few days. There is a room upstairs.”

Luk Ah Choy earlier sold off all his medicated pills. So he wrote a herbal concoction for Cheah Pak specially effective for overcoming injury.

Wong Kiew Kit
15th January 2018, Sungai Petani

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